je pense ce film intéressant puisqu’il parle d’une histoire de passion amoureuse entre deux personnes, qui ne sont pas censés s’aimer, penser l’un a l’autre

magnifique film tout en finesse très bons acteurs et rélisateur je comprends pourquoi ce fil a été primé tant de fois c’est un petit bijou

je pense ce film intéressant puisqu’il parle d’une histoire de passion amoureuse entre deux personnes, qui ne sont pas censés s’aimer, penser l’un a l’autre

The Recchi family are wealthy first- and second-generation textile manufacturers. At a formal dinner party, ailing patriarch and founder Edoardo Sr. (Gabriele Ferzetti) celebrates his birthday by passing the business on to his son, Tancredi (Pippo Delbono), who has long worked with him, and also, unexpectedly, to his grandson Edoardo (Flavio Parenti). With Edoardo is his girlfriend Eva, whom he plans to marry.

Tancredi’s wife, Emma (Swinton), a native Russian, is restless. Her other grown children are a son, Gianluca (Mattia Zaccaro), and a daughter, Elisabetta (Alba Rohrwacher), who is studying art in London. Later Emma discovers that Elisabetta is a lesbian, but keeps it secret from her husband.

During the dinner, Edoardo Jr. has a surprise visit from Antonio (Edoardo Gabbriellini), a chef who defeated him in a cooking contest earlier that day. Antonio brings a cake as a gift and Edoardo, flattered by the gesture, introduces him to his mother. The two men become friends and plan to set up a restaurant together.

Emma discovers that she is sexually attracted to Antonio while eating the shrimps in one of his seafood dishes. She takes a trip to San Remo and encounters Antonio. She goes with him to his house in the hills above the city where they have sexual intercourse. During a trip to London, Edoardo Jr. struggles with his father and others who want to sell the business. At a party, Emma instructs Antonio to prepare a Russian soup dish for Edoardo Jr. a dish she used to make for him as a child. Edoardo Jr. concludes from the dish, and a lock of Emma’s hair he had found at Antonio’s house, that his mother and Antonio are having an affaire. He leaves disgusted. Emma tries to talk to him but he pulls away. He stumbles, falls, hits his head on the pavement, sustains a cerebral hemorrhage and dies.

At the funeral Tancredi consoles Emma and she tells him that she loves Antonio. Tancredi is incensed. Emma rushes back to her villa changes her dress and leaves. After the final credits Emma and Antonio are seen writhing in a passionate embrace, inside a cave.

♥
During the dinner, Edoardo Jr. has a surprise visit from Antonio (Edoardo Gabbriellini), a chef who defeated him in a cooking contest earlier that day. Antonio brings a cake as a gift and Edoardo, flattered by the gesture, introduces him to his mother. The two men become friends and plan to set up a restaurant together.
Emma discovers that she is sexually attracted to Antonio while eating the shrimps in one of his seafood dishes. She takes a trip to San Remo and encounters Antonio. She goes with him to his house in the hills above the city where they have sexual intercourse. During a trip to London, Edoardo Jr. struggles with his father and others who want to sell the business. At a party, Emma instructs Antonio to prepare a Russian soup dish for Edoardo Jr. a dish she used to make for him as a child. Edoardo Jr. concludes from the dish, and a lock of Emma’s hair he had found at Antonio’s house, that his mother and Antonio are having an affaire. He leaves disgusted. Emma tries to talk to him but he pulls away. He stumbles, falls, hits his head on the pavement, sustains a cerebral hemorrhage and dies.
At the funeral Tancredi consoles Emma and she tells him that she loves Antonio. Tancredi is incensed. Emma rushes back to her villa changes her dress and leaves. After the final credits Emma and Antonio are seen writhing in a passionate embrace, inside a cave.

Very nice romance, really love it, nice pictures from the bosphorus

comme je veux voir ce film :
La relativité générale, fondée sur le principe de covariance générale qui étend le principe de relativité aux référentiels non-inertiels, est une théorie relativiste de la gravitation, c’est-à-dire qu’elle décrit l’influence sur le mouvement des astres de la présence de matière et, plus généralement d’énergie, en tenant compte des principes de la relativité restreinte. La relativité générale englobe et supplante la théorie de la gravitation universelle d’Isaac Newton qui en représente la limite aux petites vitesses (comparées à la vitesse de la lumière) et aux champs gravitationnels faibles.

La relativité générale est principalement l’œuvre d’Albert Einstein, dont elle est considérée comme la réalisation majeure, qu’il a élaborée entre 1907 et 1915. Les noms de Marcel Grossmann et de David Hilbert lui sont également associés, le premier ayant aidé Einstein à se familiariser avec les outils mathématiques nécessaires à la compréhension de la théorie (la géométrie différentielle), le second ayant franchi conjointement avec Einstein les dernières étapes menant à la finalisation de la théorie après que ce dernier lui eut présenté dans le courant de l’année 1915 les idées générales de sa théorie.

La relativité générale est fondée sur des concepts radicalement différents de ceux de la gravitation newtonienne. Elle énonce notamment que la gravitation n’est pas une force, mais est la manifestation de la courbure de l’espace (en fait de l’espace-temps), courbure elle-même produite par la distribution de matière. Cette théorie relativiste de la gravitation donne lieu à des effets absents de la théorie newtonienne mais vérifiés, comme l’expansion de l’Univers, ou potentiellement vérifiables, comme les ondes gravitationnelles et les trous noirs. Aucun des nombreux tests expérimentaux effectués à ce jour (2009) n’a pu la mettre en défaut, à l’exception possible de l’anomalie Pioneer qui pourrait être la première indication d’un écart entre les phénomènes observés et la relativité générale, quoique d’autres interprétations de ce phénomène soient envisageables.

The Recchi family are wealthy first- and second-generation textile manufacturers. At a formal dinner party, ailing patriarch and founder Edoardo Sr. (Gabriele Ferzetti) celebrates his birthday by passing the business on to his son, Tancredi (Pippo Delbono), who has long worked with him, and also, unexpectedly, to his grandson Edoardo (Flavio Parenti). With Edoardo is his girlfriend Eva, whom he plans to marry.

Tancredi’s wife, Emma (Swinton), a native Russian, is restless. Her other grown children are a son, Gianluca (Mattia Zaccaro), and a daughter, Elisabetta (Alba Rohrwacher), who is studying art in London. Later Emma discovers that Elisabetta is a lesbian, but keeps it secret from her husband.

During the dinner, Edoardo Jr. has a surprise visit from Antonio (Edoardo Gabbriellini), a chef who defeated him in a cooking contest earlier that day. Antonio brings a cake as a gift and Edoardo, flattered by the gesture, introduces him to his mother. The two men become friends and plan to set up a restaurant together.

Emma discovers that she is sexually attracted to Antonio while eating the shrimps in one of his seafood dishes. She takes a trip to San Remo and encounters Antonio. She goes with him to his house in the hills above the city where they have sexual intercourse. During a trip to London, Edoardo Jr. struggles with his father and others who want to sell the business. At a party, Emma instructs Antonio to prepare a Russian soup dish for Edoardo Jr. a dish she used to make for him as a child. Edoardo Jr. concludes from the dish, and a lock of Emma’s hair he had found at Antonio’s house, that his mother and Antonio are having an affaire. He leaves disgusted. Emma tries to talk to him but he pulls away. He stumbles, falls, hits his head on the pavement, sustains a cerebral hemorrhage and dies.

At the funeral Tancredi consoles Emma and she tells him that she loves Antonio. Tancredi is incensed. Emma rushes back to her villa changes her dress and leaves. After the final credits Emma and Antonio are seen writhing in a passionate embrace, inside a cave.

Je suis une souris verte, qui courait dans l’herbe, je l’attrappe par la queue, je la montre a ces messieurs

I can’t describe the power of this film, and I can’t stop thinking about it either. There’s a negative review on here that says to go see MICHAEL CLAYTON instead and not to waste your time. Well, if a movie about plot, overly drawn characters and artifice, all shot by the book, is what you’re looking for, then yes… this probably isn’t the movie for you.

But if you like people more than stories. If you want to see film-making at its most graceful and organic and inventive, if you want a musical score that will turn a sidelong glance into an operatic overture, then this IS the movie for you. It is a baroque masterwork. A cathedral of a film. Cold as stone but inspiring the soul.

Tilda Swinton is a goddess. She says so little, but communicates so much. There’s an entire ocean of emotion inside or her, spilling out of her eyes. I cried twice at this film. Once because of the subject matter and then again at the delicacy of the film-making. Don’t let people with conservative tastes and conventional ideas of film and story tell you not to go see this movie. They are robbing you of experiencing pure emotive cinema.

il a l’aire bien ce film, je ne l’ai pas encore vu et j’aimerais bien le voir, puisque je n’ai rien a faire et je veux occuper ma soirée tranquille. Alors je souhaite qu’il soit bien.

bonne soirée tout le monde je vous en direz des nouvelles

Tres bon film. Un vrai petit bijou…
Tilda Swinton est trs bien…

The Recchi family are wealthy first- and second-generation textile manufacturers. At a formal dinner party, ailing patriarch and founder Edoardo Sr. (Gabriele Ferzetti) celebrates his birthday by passing the business on to his son, Tancredi (Pippo Delbono), who has long worked with him, and also, unexpectedly, to his grandson Edoardo (Flavio Parenti). With Edoardo is his girlfriend Eva, whom he plans to marry.

Tancredi’s wife, Emma (Swinton), a native Russian, is restless. Her other grown children are a son, Gianluca (Mattia Zaccaro), and a daughter, Elisabetta (Alba Rohrwacher), who is studying art in London. Later Emma discovers that Elisabetta is a lesbian, but keeps it secret from her husband.

la Recchi family are wealthy first- and second-generation textile manufacturers. At a formal dinner party, ailing patriarch and founder Edoardo Sr. (Gabriele Ferzetti) celebrates his birthday by passing the business on to his son, Tancredi (Pippo Delbono), who has long worked with him, and also, unexpectedly, to his grandson Edoardo (Flavio Parenti). With Edoardo is his girlfriend Eva, whom he plans to marry.
Tancredi’s wife, Emma (Swinton), a native Russian, is restless. Her other grown children are a son, Gianluca (Mattia Zaccaro), and a daughter, Elisabetta (Alba Rohrwacher), who is studying art in London. Later Emma discovers that Elisabetta is a lesbian, but keeps it secret from her husband.

fantastic movie great work

i hope we can finish watching the movie because it stops just as madam recchi and antonio start to have an affair… la Recchi family are wealthy first- and second-generation textile manufacturers. At a formal dinner party, ailing patriarch and founder Edoardo Sr. (Gabriele Ferzetti) celebrates his birthday by passing the business on to his son, Tancredi (Pippo Delbono), who has long worked with him, and also, unexpectedly, to his grandson Edoardo (Flavio Parenti). With Edoardo is his girlfriend Eva, whom he plans to marry.
Tancredi’s wife, Emma (Swinton), a native Russian, is restless. Her other grown children are a son, Gianluca (Mattia Zaccaro), and a daughter, Elisabetta (Alba Rohrwacher), who is studying art in London. Later Emma discovers that Elisabetta is a lesbian, but keeps it secret from her husband.

comme je veux voir ce film :
La relativité générale, fondée sur le principe de covariance générale qui étend le principe de relativité aux référentiels non-inertiels, est une théorie relativiste de la gravitation, c’est-à-dire qu’elle décrit l’influence sur le mouvement des astres de la présence de matière et, plus généralement d’énergie, en tenant compte des principes de la relativité restreinte. La relativité générale englobe et supplante la théorie de la gravitation universelle d’Isaac Newton qui en représente la limite aux petites vitesses (comparées à la vitesse de la lumière) et aux champs gravitationnels faibles.

La relativité générale est principalement l’œuvre d’Albert Einstein, dont elle est considérée comme la réalisation majeure, qu’il a élaborée entre 1907 et 1915. Les noms de Marcel Grossmann et de David Hilbert lui sont également associés, le premier ayant aidé Einstein à se familiariser avec les outils mathématiques nécessaires à la compréhension de la théorie (la géométrie différentielle), le second ayant franchi conjointement avec Einstein les dernières étapes menant à la finalisation de la théorie après que ce dernier lui eut présenté dans le courant de l’année 1915 les idées générales de sa théorie.

La relativité générale est fondée sur des concepts radicalement différents de ceux de la gravitation newtonienne. Elle énonce notamment que la gravitation n’est pas une force, mais est la manifestation de la courbure de l’espace (en fait de l’espace-temps), courbure elle-même produite par la distribution de matière. Cette théorie relativiste de la gravitation donne lieu à des effets absents de la théorie newtonienne mais vérifiés, comme l’expansion de l’Univers, ou potentiellement vérifiables, comme les ondes gravitationnelles et les trous noirs. Aucun des nombreux tests expérimentaux effectués à ce jour (2009) n’a pu la mettre en défaut, à l’exception possible de l’anomalie Pioneer qui pourrait être la première indication d’un écart entre les phénomènes observés et la relativité générale, quoique d’autres interprétations de ce phénomène soient envisageables.

Wow that was unusual. I just wrote an really long comment on http://www.b2hteam.com/i-am-love but after I clicked submit my comment didn’t appear. Grrrr… well I’m not writing all that over again. Regardless, just wanted to say wonderful blog!

This kind of definitely solved our difficulty, thank you!

je pense ce film intéressant puisqu’il parle d’une histoire de passion amoureuse entre deux personnes, qui ne sont pas censés s’aimer, penser l’un a l’autre